Relaxed. Nourishing. Diverse. This is what comes to mind when I think of our visit to Vegie Bar. Located on Brunswick Street in Melbourne’s Fitzroy district, this place has just about anything you can think of on a menu and has a fun and friendly vibe to boot. Ergo, really a top choice for a date of any sorts. It is, as the name suggests, a healthy destination, which does plenty of raw meals, but it still has male friendly selections from pasta through to pizza (readers please note there isn’t any meat on the menu, only faux meat). Whilst we nailed the freshly squeezed juices – the invigorator (pear, apple, mint) and super juice (spinach, beetroot, carrot, cucumber) – there is an extensive selection of wines, beers, ciders and cocktails to also choose from (and if you have to wait for a table just head to the bar section of the joint), so perfect again for all occasions.
We were in the mood for pure health options so went with the delicious rice balls (100% brown rice with finely chopped vegies with satay sauce) and little macadamia salad (green beans, cherry tomatoes, marinated feta, roast pumpkin and toasted macadamias drizzled with a sweet orange dressing), as well as the raw taco with sundried tomato and flaxseed tortillas filled with raw chilli, avocado, iceberg lettuce, fresh mint and coriander, salsa fresca and topped with cashews, sour cream and fresh lime. Not only was this healthy, satisfying food, it was delicious. To finish it off we had the raw chocolate bar with carrot cake. Sweet tooth ticked!
Everyone here was the definition of friendly – from the service to the surrounding customers – a communal type vibe engendered by the tables close together and knowledgeable staff. I felt like even if I was there on my own, I’d walk away with a great meal and a new friend.
Oliver Grand Says:
This is coming from a full-blown carnivore, I loved Vegie Bar. If you’re wanting meat, this isn’t the place for you, but I honestly think there’s something that will hit the spot for everyone here. Not only that you’ll walk away feeling good from the inside out with the nutritious food and infectious spirit of the cozy place. Whether it’s a chilled lunch or a dinner and/or bar date, this is one top-notch relaxed joint that is a Melbourne must.
380 Brunswick Street,
Fitzroy, VIC 3065
+61 (3) 9417 6935
Last night we were lucky enough to head to the Song for the Mute FW14/15 show presented by Harrolds and this Australian menswear label was by far the stand out of MBAFW. Aptly titled ‘Grey’, this fusion collection was a mature retrospective of what they’ve done before and the progress of where the brand is moving forward.
Featuring 89 pieces, the range explored a new mixture of classic tailoring and more technically minded relaxed sportswear. With their signature silhouettes running strong and a twist on some of the classic shapes, the fabrics (alpaca, paraffin and resin coated fabrics, wool blends, including our favourite paper wool), all exclusively produced in Italy and Japan, are what remains distinctly the Song for the Mute footprint.
From the collection itself through to the show you can see how and why these guys have such international attention. Delivered in a smoking spectacle with the guys sporting white clay hairstyles, it even managed to throw some serious star power into the mix with international hip-hop artist and long-time friend of the brand, Lupe Fiasco, exclusively closing the show. In fact one of our favourite looks had to be Lupe’s look which perfectly summarized the fusion of the collection: the signature cocoon shaped jacket in mohair and wool and finished with new darting on the sleeve, paired back with an entirely new trouser silhouette in the bucket pant in virgin wool.
Backstage Images by: Trevor King @DLM
Men’s designer Patrick Blue describes the Jac + Jack man as relaxed, discerning and ready. We couldn’t agree more and it is exactly this that makes Jac + Jack leaders in the pack of Australian fashion, especially where men’s style is concerned. With its signature cashmere, linen jersey, paper-like cotton and superfine merino wool, this brand is refined simplicity which feels as good as it looks. The label isn’t showing at MBAFW this year but we’ve excitingly managed to showcase a few of our favourite pieces from the upcoming Spring14 collection, arriving in store from July1, and sit down with Patrick to talk lifestyle and the upcoming range.
OG: In 5 words the Jac + Jack man is…
Anyone, ageless, modern, masculine, nonchalant.
OG: Where did you find the inspiration for this collection?
Everywhere. I’m constantly inspired by anything and everything. The season typically calls for lazy days and easy living so the collection is a response to that need for ease and effortless dressing. For me in particular I’m really liking soft pinks and blues. I was really loving the classic pink shirts they have in Jermyn Street, London, and the Blue was inspired from a plate I found in Salina Italy at a ceramisists studio.
OG: What are your personal picks from the range?
Our new button downs Bisbing, Denys + Atta and the Brodd which is a fully reversible shirt. There’s a really well cut new pant called the Sie which has a double pocket detail and the Elin Short is an effortless option for everyday. We’re constantly evolving but in a way that respects what came before. So when you find that next great piece you know it works back with everything you already have. They’re the details we spend time on.
OG: There is a distinctly relaxed and casual feel to Jac + Jack. How do you manage to evolve the brand whilst retaining such a distinct footprint?
We have a fairly resolved aesthetic, everything I do I ask myself what am I communicating and is it sympathetic to the brand? There are things that don’t make the cut.
OG: When approaching a collection do you design predominantly for an Australian audience?
I guess I do or maybe it’s better to say I design from an Australian perspective. I’ve lived in Australia for the majority of my life so the aesthetics and cultural references will have left an indelible mark on me – though maybe not so obvious to myself. We live in a pretty global world now where we all travel and have access to the rest of the world from our phones, I also take this into consideration when designing.
OG: If you could have your pick of 4 people, dead or alive, at a dinner party, who would they be, and why?
I’d like everyone to get along so Steve Martin, he’s genius and very funny; Eve as in (Adam and Eve), that would be a good opportunity to sort out some questions; Francis Bacon, someone who’ll stay late to finish off the wine with you; and finally Patti Smith for obvious reasons.
Left: Jac + Jack Enzo Sweater $380 / Jac + Jack Roberts Shorts $110
Right: Jac + Jack Brodd Reversible Shirt $260 / Jac + Jack Owen Shorts $199
Left: Jac + Jack Bomber Jacket $499 / Jac + Jack Owen Shorts $199
Right: Jac + Jack Robin Hoodie $399 / Jac + Jack Vapour Pant $299
Photography: Trevor King @DLM / Styling: Oliver Grand / Model: Chris Rutt @EMG / Grooming: Luana Coscia @DLM
Vanishing Elephant has over the years cemented itself at the forefront of Australian street wear, especially when it comes to men. With its recognisable stamp of playful prints, wearable shapes and signature footwear, it has to be one of our favourite Aussie brands. Designers Felix Chan and Huw Bennett have opted not to show at MBAFW this year, but we decided to get our hands on the incredible upcoming Spring Summer14 collection and sit down with Huw to chat a little more about the new range.
OG: In 5 words, the VE man and woman is…
Assured, smart, subtle, classic, and real.
OG: Tell us the narrative behind how VE came about?
Some friends with an idea and confidence to execute it. It’s always nice to change the story for fun but honestly it’s super simple and quiet wholesome. We had a good first season and then just kept going and now we’re somewhere between there and the possibilities of the future,
OG: There’s a theme of American varsity that runs through the new collection, how did this come about?
There’s a small nod, this would mostly tie in with our idea that the range is sport styled without a hint of athleticism. We prefer the idea of feeling fit and looking neat, as opposed to sweating in our clothes. Some of the sports ideas cover college style lettering, sports fabrics tied back with softer jersey and basketball inspired shorts.
OG: What would your personal top picks be for the upcoming collection?
Can’t go past the quilted orange shirt jacket, it has a warm down vibe that matches it’s sharp colour. The pique jogger pants are a new level of comfortable for us and make it acceptable to drag the common tracksuit pant into the working world.
OG: We’ve seen a few domestic VE stores open up, what else is there in store for the brand this year?
Maybe another store? Our idea is always about making the best of what we have, working with our stockists to improve all VE customers experience is high on the priority list for us.
OG: If you were given a choice of anywhere in the world to be, rocking your favourite VE outfit from the new collection, where would that be?
Tough, because there is no place like home but to be fair to the question perhaps a north to south trip through Japan. We could test some of the varied weights in the collection through the different climates, have some fun with the colour hits and know that there’s still a lot of sensible pieces to keep us carrying on.
Vanishing Elephant Gorilla Island Polo Shirt $100
Left: Vanishing Elephant Short Sleeve Shirt $110
Right: Vanishing Elephant College Knit $140 / Vanishing Elephant Elasticated Jean $140
Left: Vanishing Elephant Suit Jacket $300 / Vanishing Elephant Print Shirt $110 / Vanishing Elephant Suit Pants $180
Right: Vanishing Elephant Windbreaker $220 Vanishing Elephant Drawcord Stripe Short $90
Photography: Trevor King @DLM / Styling: Oliver Grand / Model: Jacob Hankin @IMG / Grooming: Luana Coscia @DLM
Our favourite go to label Witchery just keeps on going from strength to strength with its men’s range. Merging dressy and casual into one collection, here are some of our favourite looks from the Witchery Man High Winter, dropping in store April and May. Featuring ex-architect student turned model Greg Nawrat, the collection shines through yet again with it’s wearable, on trend, yet still classic, styles.
We’re particularly loving the sports luxe quilting story running through the puffer jackets, sweatshirts and knitwear, and you simply can’t go past the directional investment piece of the leather biker jacket. Pop in store now to expand your winter wardrobe with some urban attitude.
We were invited to the launch of the Asahi Silver Sessions in Sydney held at Mojo by Luke Mangan featuring architect Nick Tobias, creative producer David Hanley and artist Vincent Fantauzzo. All masters in their fields, we were able to sit down with Nick and David to hear about the inspiring narratives behind their journeys and how they found themselves on the path to success.
Left: Nick Tobias; Right: David Hanley
OG: Can you please tell us a little of your journey to becoming Founder and Principal of Tobias Partners?
Nick: Mine is a fairly idiosyncratic path – I set up Tobias Partners when I was still studying architecture at the University of New South Wales. I simply didn’t see the interest in waiting around. Pretty quickly, I attracted a sophisticated clientele, people who were interested in a slick, streamlined take on Modernism using only the finest materials and finishes.
OG: What advice would you give creatives who are starting their own business?
Nick: Have a clear sense of self, understand what you want, your point of difference – and always stick to it.
OG: Working on a huge range of architectural and design projects, what do you feel the most inspired by?
Nick: I’m inspired by sense of place; firstly, in the natural setting that I am given to work with, but also in the incredible opportunity to create a new space, for the client (of course) but also in a larger sense, for the urban environment.
OG: If you could describe the ideal woman to have an Asahi beer with, who would that be, and where would that be?
Nick: Easy! My wife and best friend, Miranda Darling. Where? Anywhere, from barefoot on the sand down the Coast to dressed to the nines at the Okura Hotel in TOKYO!
OG: The secret ingredient to your life and success is…
Nick: Remaining centred. Because without that there is no self.
OG: What made you make the switch from commercial law to the creative arts world?
David: I always knew I wanted to try and work for myself, I just didn’t know what. So I studied law and made a promise to myself I’d only work as a lawyer for two years. The idea was that this would be a handy way to get some understanding of the way the commercial world worked that would help me when I went out on my own. Unfortunately when the two years were up I still didn’t know what I wanted to do so I jumped ship and moved to live in Prague during the heady days of 1993 – 95. It was here I started to explore working in the arts when I put on my first exhibition of photographers from around the world living in Prague and I set up a film sales business selling movies like ‘Once Were Warriors’ to cinemas and the early movies of Weir, Beresford and Schepisi to the new commercial TV stations. It was a great fun time when Prague was a dynamic place as it emerged from the strict Stalinist Government.
OG: Art and an iconic Australian backdrop of the coastline is a magnificent setting for Sculpture by the Sea. How did this venture come to life?
David: While living in Prague I experienced sculpture late at night set among 13th century ruins. It was surreal and at that moment I ‘got’ the drama and theatricality of sculpture and thought sculpture could be the art form around which I’d base a major free to the public cultural event. As I looked around the world I thought we needed more ‘free’ things and I loved the idea of creating something that no one had to pay for whilst also creating an event that would project an image of Australia internationally that I thought was lacking. One day friends introduced me to the Bondi to Tamarama coastal walk … its hard to believe that 20 yeas ago almost no one in Sydney knew of the walk because Bondi was avoided as the surf was still a polluted mess from the sewerage pumped into it.
OG: The creative arts is a much bigger industry outside of Australia. What do you think we can do to improve this here?
David: Each year Sculpture by the Sea shows how many creative artists there are in Australia, when time and again another new brilliant artist is discovered. Facilitating these and other artists careers is easier said than done. The costs for artists are high, the level of non-artistic knowledge required to succeed is considerable. Any artist wanting to succeed needs to give it their all and to know their career might be a series of one step forward, two steps backwards. One government initiative that many councils or state governments could initiate is to provide empty buildings as artist studios.
OG: If you could be throwing back a few Asahi beers, where in the world would that be, and who would it be with?
David: Anywhere with my best friends at the end of a hot day on the coast of Oz or in the Pacific, especially Fiji, after a long distance ocean swim or scuba diving.
OG: The secret ingredient to your life and success is…
David: Being an optimist but then while building the project I focus on what might go wrong and try to avoid those problems by being critical of what I don’t know. A key part of this process is to get good people around you who have skills and experience you don’t have yourself. While this sounds serious its also important to try and have fun at the same time.